[ 14. The Blu-ray Disk Website | Format ]

[ The Blu-ray Disk Website www.blu-raydisc.com ]

Blu-ray Disk is a next-gen optical disk format that allows for the storage of data, high-def and standard definition digital media and Playstation 3 games. The Blu-ray Disk and player exploits the shorter wavelength of the blue/violet reading laser used to read the “1’s and 0’s”, the grooves on the disk. The much shorter wavelength of Blu-ray reading lasers [ ~ 405nanometres ] allows the “bumps” to be packed more compactly and more densely on the disk itself and this enables a lot more information [ 25GB per layer ] to be stored, just over 5 times the amount stored per layer on a regular red-laser DVD. A 200GB Blu-ray Disk has been manufactured using six 33GB layers, although this disk would almost certainly not work on today’s regular BD Players, which incidentally are also backwards compatible to play DVDs too.

[ In Detail ]
Blu-ray Disk is not aimed at any particular demographic, although the older generation may not be so inclined to convert to the newer technology. To whoever does convert to Blu-ray technology, greater quality of video and audio are granted and much more data can be stored on BD, possibly where DVD had 2 or maybe 3 disk compilations or trilogies, now can all be stored on one disk, eg. the entire Matrix Trilogy could be stored on one disk with space to spare for extra features and other extras. This increases the quality of experience for the audience as it creates less hassle for them. Many institutions have shown their support for Blu-ray Disk, including big names such as Sony, Apple and Fox Entertainment, although the Blu-ray Disk Association including the 9 founders of Blu-ray technology has overall power over the development. BD is in a close format war with HD DVD [ HD DVD ], supported by Microsoft and Intel, as these two essentially identical technologies are mutually incompatible. There are currently over 250 member institutions supporting BD. This convergence of institutions is rather like the consortium including Nokia, Microsoft and Intel for Bluetooth technology begun in 1994.

The progression towards BD allows for a better experience for the audience, they make it more interactive and non-linear, allows more proliferation, miniaturisation, a personalised experience, which is more flexible, better converged and presses for vertical integration with this otherwise incompatible technology.

[ 10. The Scrubs Podcast | iTunes ]

[ The Scrubs Podcast www.nbc.com/Scrubs/commentary ]

Scrubs is an American sitcom set in teaching hospital Sacred Heart Hospital, created by Bill Laurence and starring Zach Braff, Sarah Chalke and John McGinley. Each episode is around 23 minutes long, plus advert breaks making a half-hour show. Scrubs is shot with a single camera setup and is strange in terms of the fact that it doesn’t use a laughter track, although in a few episodes the directors have themed the premise of the episode, and sometimes changing the setup of the show, eg. one episode was featured in the style of a traditional sitcom in front of a live audience, and other few were in the style of musicals, featuring multiple camera setups. The podcast is available on iTunes and directly from the NBC website with near instant distribution, enabling a wide reach from the internet, and globalised distribution and proliferation due to the global broadcasting of the Scrubs series.

[ In Detail ]
The podcast is narrowcasted at all Scrubs fans, and generally people who are interested in Scrubs and the production techniques involved behind the scenes. In essence it is replacing possibly an article, and possibly replaces, though does not derive from or outdate a special feature on a DVD. The podcast is set to run alongside the TV episodes, intended to be listened to in parallel, and the commentators, usually the directors and the actors, eg. Sarah Chalke [ Sarah Chalke ] or John McGinley [ John McGinley ] comment on the scenes and jokes as they progress on the episode and say how it was shot or what they thought, allowing a non-linear, interactive and personalised viewing experience. Most of the podcasts are of the main characters’ favourite episode, or just episodes that are out of the norm. The main reason why these podcasts are popular is because firstly that they are easy to use and obtain and can be used at the same time as the TV show, giving a well-illustrated set of accounts by the commentators as they can directly refer to the actions on the screen. It also allows the fans to get closer to the show and the production process, making them feel integrated. It is unstructured and completely improvised. These are possible because of good quality recording equipment and high-speed broadband. Due to the proliferation of TVs and internet enabled computers/portable media devices in the home, watching the episode and listening to the podcast at the same time is made easy and flexible.
The Scrubs podcast is a good example of nearly all of the key terms, from quality to reach to convenience and portability.

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[ The Charlie Brown Christmas Special parodied by the Scrubs cast ]

[ 8. The David Lehre Website | MySpace ]

[ The David Lehre MySpace www.myspace.com/davelehre ]

Dave Lehre has been a true internet phenomenon. A college dropout who still lives with his parents, he began his fledgling career with some highly entertaining and extremely popular videos, one of which is called “MySpace: The Movie” which parodied the social networking site, posted primarily onto his website and have made their way swiftly onto YouTube and various other similar sites. He and his self-founded production company Vendetta Studios now have a deal with Fox to produce his own untitled as of yet, late night half-hour show with a $300,000 budget for the pilot episode, self described as “an open-format sketch-variety show with music videos, short videos and comedy skits”. He has also made an appearance in recent parody “Epic Movie” as a look-alike for Ashton Kutcher. His main audience is anyone who is up for a good laugh and mostly, these tend to be the younger generation to late-20’s who are his main fans. He has built up quite a cult following, especially amongst the more technically minded audience, as his career was born from the internet.

[ In Detail ]
Straight from whence his career was born, he still utilises the internet to great extent, and especially both his own site and his MySpace page. They are used to raise awareness for his work and himself and also advertise subscriptions to his work, with plenty of direct hyperlinks [ hyperlink ] to iTunes, his Blog, his YouTube account and his own site. He embeds many of his videos and trailers on his page, and website, which makes it easier for new audience members to find his videos faster and more effortlessly.
Dave uses his blog to inform the fans of what he is doing and what he has scheduled in the coming weeks. He also posts up videos and pictures of things that may be interesting about him, such as his front-page appearance on MySpace or his TV appearances, or even his budding Vendetta Branded Clothing. Unfortunately, he isn’t able to post up the footage he has been filming, as the studio owns the rights, not himself, though he does try to post up as much as he can. This allows his fans to feel integrated and informed in what he is doing, increasing their loyalty and ‘fanship’. The fans can post their comments underneath the main post for him to read and he does read these and replies often. His blog contains an RSS feed to automatically inform his fans when he updates his blog.
His website and blog are good examples of a wide reach, good quality movies, democratisation and vertical integration.

[ 7. The NME Website | Homepage ]

[ The NME Website www.nme.com ]

The NME homepage invites the readers of its magazine, which has tended towards the indie demographic and has swayed away from the wider genre appeal that the magazine first started with, as it has been criticised by the press recently, an example of narrowcasting in progress. It has always been a huge support for upcoming British bands such as Kaiser Chiefs, The Libertines and Franz Ferdinand. The website provides music news, reviews, downloads, merchandise and message boards. The website also features Gig ticket searches, competitions and various feeds from eBay and other mainstream online auctions and shops, to compare prices on certain merchandise without having to leave the site. The large amount of content on the site to do with all aspects of indie music culture has supported NME and made it one of, if not the largest British music magazine. The sorts of Flash animated adverts that are littered around the site are aimed at NME’s target audience and advertise such things as internet and soft and alcoholic drinks.

[ In Detail ]

The Homepage is made up a number of features. The basic layout of the website is a static navigation banner at the top, with links to each different area of the website, and down the right hand side, there is a list of the less frequently visited links and also the featured links. On the left hand side running down most of the centre too is the main content of the website, with hooks and links to various articles and features.
NME, like Xfm has its own radio station and this is available online from the website, on top of that, the listeners can also view immediate full music videos on the radio’s playlist if they register with the site, thus helping NME’s online surveillance and vertically integrating the audience to NME, these are convenient and small files to allow faster downloads, faster satisfaction but less quality. This, coupled with the email newsletter is able to raise awareness of the site, and keep its audience coming back. Also along these lines is the RSS feed that the site has, which feeds information to the audience automatically. NME puts new media technology to its full use, when it holds awards and at many gigs, it is able to transmit these live via webcam [ webcam ] to viewers and listeners on the website.
Adding to the message boards, there is also a section where people can place word adverts free to advertise, usually for band members. This is an added incentive for new bands to align themselves with NME, and through this, vertical integration and a loyalty can grow between NME and bands in question, thus possibly granting NME sneak previews and other things in future.
The NME website is very intent on gaining loyalty with its demographic, and providing a comprehensive one-stop-shop website to cater for all their needs from lifestyle tips to music downloads, showing good use of vertical integration and online surveillance, whilst still keeping the basic interactivity must-haves onsite too.

[ 6. The 300 Site | Homepage ]

[ The 300 Website www.300themovie.com ]

The website for the film 300 is a very entertaining, interactive site, which essentially markets the film entirely, and replaces such other media texts such as posters, whilst playing host to extra information leading on from other media texts such as the television trailers and trailers hosted at other websites, such as in promotional sites like filmschoolrejects.com and ropeofsilicon.com and the Warner Bro’s site, who also have distributed the film, so technology such as streamed video is utilised to its fullest. These sites allow awareness to be raised and interest to be gained surrounding the film, which attracts audiences to the website, and ultimately to watch the film. The film is narrowcasted predominantly to males with few, but feisty female characters, blood and gore, etc., and the website reflects this, using dark colour schemes and frequent blood splatters and the theme of war and violence.
The film itself was created using almost all bluescreen technology and this adds a video-game style to the film. This extensive use of new media technology has added greatly to the film, adding both realism and fantasy, and reducing the liability for continuity errors. Adding to this exploitation of new media technologies, most of the website’s features contain NMT’s and thus increase the reach and quality of the film and its marketing.

[ In Detail ]
The website is very interesting and has many aspects and features. It is created with Adobe Flash and has interactive buttons and rollover buttons and many other new and exciting aspects. Such features within the website are film production notes and other related documents, trailers, TV trailers, wallpapers, MySpace details, merchandise, digital audio clips, concept art, free downloads and more. There are free screensavers for download and these use new media technologies both to download them fast enough, broadband, and to create them, Adobe Photoshop, and other similar products.
300: March to Glory, the game is yet another feature that is set in the website, it is designed for the PSP [ PSP ], a very good example of convergence, and it utilises the newest data-storage technology, namely UMD disks [ UMD ] and Memory Stick Pro: Duo [ Memory Stick Pro: Duo ]. This increases the accessibility of 300, and widens the franchise further than simply the film and action figures, etc. Another technology surrounding 300 that does this is the mobile game, the abundance of ringtones and wallpapers for personalisation. The mobile game and the PSP game are linked, with unlockables only available from the mobile game. This urges vertical integration between them and the film itself, and helps to sell both games and film tickets. This not only creates a portable, miniaturised non-linear experience, it also increases the quality of experience.
There is also a video production diary which allows the audience to feel closer to the production process and again exploits the easy ability to use embedded video, and also the production blog, in the same manner.
The website is covered in new media technology, from Adobe Flash technology, to blogging, to digital audio, to blue-screen and 3D modelling technology. This adds emphasis onto the movie, increases hype and anticipation and shows that this movie has a large budget and is a very important movie of the year.

[ 2. The Channel 4 Site | Entertainment ]

[ The Channel 4 Entertainment Section www.channel4.com/entertainment ]

The entertainment section of the Channel 4 website is visited by thousands of users every day, each whom use it for their own needs and experience their own take on the wide range of services available in this subsection of channel4.com.
The homepage for Entertainment is in many ways very similar to that of the main site for Channel 4. The bar at the top is the same, it retains the same layout although the bar at the side is to navigate further into Entertainment and also the links dotted around are also more specialised to deal with pages inside of the Entertainment sector.

[ In Detail ]
Under this division, there lie many subdivisions under the umbrella of Entertainment. Most of these are not strictly to do with Channel 4 matters, but are often about what is happening in entertainment generally at the time. Such subdivisions include FilmFour, Music, Games, 4Laughs, and many more.
Each of these include their respective content, although each is very interactive with the audience and maintain the democratic approach that I mentioned in my previous post. Features like uploading an unsigned band profile, in the chance that your band might raise awareness for itself or even get signed, or seeing the sneak-peeks of the latest films out in the cinema or DVD or taking part in a worldwide quiz for a pair of hair straighteners or a Nintendo Wii, there is something for everyone.
Most of these subdivisions contain RSS feeds, interactive forums which allow for audience diversification and also free podcast downloads, where the audience can keep up with their favourite subject in small audible chunks like a non-linear radio station [ podcast ]. A podcast sets itself apart from other digital audio formats on the web because of its ability to respond to RSS Feeds and download automatically with near-immediacy. However, the audience need not subscribe to a feed in order to listen to Podcasts, as they are often available for streaming and straight downloads, which can later be uploaded to regular MP3 players or indeed an iPod for portable consumption.
All of these cutting-edge and fast-developing NMT’s all contained within the Entertainment section of Channel 4’s website give the audience a sense that Channel 4 cares about the quality of consumer experience, getting to become closer to the audience and keeping up with the industry to present an up-to-date and modern front.